In this context, the Tamil Diaspora, an integral part of the nation of Tamil Eelam, utilizing democratic means in their respective countries, establishes the Transnational Government of Tamil Eelam (TGTE) as the highest political entity to campaign for the realization of the Tamils’ right to self-determination. The Sri Lankan government, through legal impediments, military occupation and murder is strangling the Tamil people’s aspirations and their political rights. At present the Tamil people have absolutely no prospect of articulating their political aspirations or of exercising their fundamental rights in their homeland itself.
I consider the leader and the warriors to be the gods I have seen.The Transnational Government of Tamil Eelam (TGTE) is a political formation to win the freedom of the Tamil people on the basis of their fundamental political principles of Nationhood, Homeland and Right of self-determination. We must all work together with God to understand and understand the God-given leader for Tamil Nadu. Tell us about them and the work that needs to be done for this struggle as you are directly acquainted with the Tamil Eelam National Leader and as a person who has been closely associated with many militants as a recipient of gifts from him. I was really blown away when I uttered the line “Madiyil thavazhtha makane” from the song that the hero sang for Thujilum Illam. ? How do these vulnerabilities reflect in the songs? How do these feelings affect you when you sing uprisings.
You are the father of a hero and a warrior. I enjoy living in this soil during this time and doing my part for this struggle. There is always a sense of pride, joy and national liberation in front of us as we sing liberation songs.īeing a famous singer you are living a very simple wartime burden. There are also those who greet with flowers. But, one of the people who came looking for us after the show said without understanding us that you are not only a good singer but also a good actor. It has multiplied our emotion and made us cry.
How many wonderful events are taking place in this struggle on our soil. Once a female fighter addressed us before our show started. What is the feeling and experience you get when you sing in front of people as a liberation singer? The mind will dream once whenever it thinks of him. Unforgettable is Major Sittu, the hero from the warrior and singer. Tell us about your experiences and reminiscences with the singers who sang with you. What kind of songs do you want to be in this genre anymore? These songs are coming from a developmental stage like yesterday and today. You have been singing the songs of the native uprising continuously since then. It will be interesting to do cinematography with Puthuvai Anna. Many experiences and interesting events have taken place during this time. You have also sung a wide variety of songs to the music of many composers. Today you are introduced through your songs all over the Tamil life. I am a devotee and I think the Lord gave me these. You can feel both of these when you listen to your songs. It is very important for a selected singer to have musical wisdom and pitch cleanliness. (Before and after that I had a band in my name.) I keep singing. The song was then sung by Puthuvai Anna to me on the video tape “Intha man engal sontha man”. Peru Ganesan composed a song in Kilinochchi for Heroes’ Day when the Indian Army was on our land. Tell us about how you came to be a homeland singer who was a stage singer at concerts. Then little Pichaiyappa joined me in those shows. In his arrangement I participated in all the performances of the children’s flower, the volleyball. He is the famous Yesuratnam known as Mukattar on Sri Lankan radio. After hearing my description, he told me to get on the van tomorrow and left. Big twisted mustache, big look still asked to sing. One day I was singing somewhere in Colombo for the sake of some. His desire was to have a permanent career and income. My father did not want me to get involved in music and sing. What did you do until you became a regular singer. Then I was attracted to the music industry. My youth was in a great tug-of-war over whether to get into the music industry or get involved in a business. When I was twelve, I took the stage at the Jaffna Kathiresan Temple in Colombo. Tell us about your youth as the lead singer of Tamil Eelam today and your background in the music industry.
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